Mitchell
Dean Mitchell - Early Spring in St. Louis
limited edition giclée on paper
75 numbered and signed
18.5 x 28
MITEA1
$425.00
Dean Mitchell - Forgive Us Lord
limited edition giclée on paper
50 numbered and hand signed by the artist
16 x 12
MITFO2
$225.00
Dean Mitchell - Snow Hills
limited edition giclée on paper
50 numbered and hand signed by the artist
14 x 21
MITSN1
$275.00
Dean Mitchell - Snow Hills
limited edition giclée on paper
25 numbered and hand signed by the artist
20 x 30
MITSN2
$475.00
Dean Mitchell - Bonding Years
limited edition print on paper
550 numbered and hand signed by the artist
22 x 16.5
MITBO1
$175.00
Dean Mitchell - Country Church
limited edition print on paper
550 numbered and hand signed by the artist
18.5 x 28
MITCO1
$175.00
Dean Mitchell - Early Spring in St. Louis
limited edition giclée on paper
75 numbered and signed
18.5 x 28
MITEA1
$425.00
Dean Mitchell - Forgive Us Lord
limited edition giclée on paper
50 numbered and hand signed by the artist
16 x 12
MITFO2
$225.00
Dean Mitchell - Snow Hills
limited edition giclée on paper
50 numbered and hand signed by the artist
14 x 21
MITSN1
$275.00
Dean Mitchell - Snow Hills
limited edition giclée on paper
25 numbered and hand signed by the artist
20 x 30
MITSN2
$475.00
Dean Mitchell - Bonding Years
limited edition print on paper
550 numbered and hand signed by the artist
22 x 16.5
MITBO1
$175.00
Dean Mitchell - Country Church
limited edition print on paper
550 numbered and hand signed by the artist
18.5 x 28
MITCO1
$175.00
DEAN MITCHELL (1957- ) It is said that you must suffer for your art. Dean Mitchell understands the sentiment, but is not ruled by it. But the images of the life he sees around him are filled with emotion, whether a painting of a plain, light-splashed, whiteboard-paneled Southern church or a woman bowing in prayer. As a child, Mitchell knew he wanted to be an artist, a seemingly impossible choice for a boy in his circumstances, but he bought a set of oils when he was twelve and won two awards in the very first art competition he entered. He started painting in watercolor when he attended the Columbus School of Art and Design in Ohio and his first job was teaching art at a Boy's Club for ten dollars an hour. Things changed when he started regularly entering his paintings in competitions. His exceptional ability in showing a special side of the seemingly ordinary gained immediate attention and reward. Within just a few years, Mitchell had won more than two hundred major art awards, including first prize at London, England's T.H. Saunders International Artist and Watercolour Show, top honors from the National Watercolor Society, the Art for the Parks Medal for Overall Excellence and the Hubbard Art Award for Excellence.