Coleman, James
James Coleman - Romance on the Riviera
limited edition giclée on canvas, hand embellished
195 numbered and hand signed by the artist
20 x 12
COLRO2
$650.00
James Coleman - Shorefront Hula
limited edition giclée on canvas
1500 numbered and signed by the artist
12.5 x 16.5
COLSH1
$150.00
James Coleman - Sorcerer Symphony
limited edition giclée on canvas
195 numbered and hand signed by the artist
22 x 28
COLSO1
$850.00
James Coleman - Springtime in the Meadows
limited edition giclée on canvas
395 numbered and hand signed by the artist
20 x 40
COLSP1
$995.00
James Coleman - Treasure's Untold
limited edition giclée on canvas hand-embellished
40 numbered and hand signed by the artist
30 x 15
COLTR2
$1,950.00
JAMES COLEMAN (1949- ) was born in Hollywood. As a youth, his creative abilities seemed to dominate his world. Though he lacked the athletic skills of his young friends, he more than made up for it with imagination and ingenuity.
As a young man, his interest in filmmaking and fine art marked the beginning of a long, successful career in animated films. Coleman began his career with Walt Disney Studios in the summer of 1969, when his mother, who had been working as a secretary with Disney, got him a job in the studio's mailroom. His big break came when he entered one of his paintings in the studio art show. Several of the Disney artists saw his potential and encouraged him to go into animation background painting. Walt Disney Productions welcomed his creative energies.
His first film, Winnie, the Pooh and Tigger, Too, sparked his interest not only in painting backgrounds but also in background design and color styling. After completing The Rescuers, his first feature film, he was promoted to Background Department Supervisor, a position he held for nearly seventeen years. During that time, he personally hired and trained a select group of artists whom he would work with for most of his career at Disney. While at Disney, James styled and worked on twelve films and over thirty short subjects including Mickey's Christmas Carol,The Fox and the Hound, The Great Mouse Detective, The Black Cauldron, The Little Mermaid, and Academy Award-Winning Beauty and the Beast. In 1991, after twenty-two years with Disney, James left to pursue a new career. He was ready to devote all of his time and talent to the love of his life - fine art. Today he continues to illuminate the art world with vibrant colors, gentle moods, powerful design and exquisite detail.
James Coleman - Romance on the Riviera
limited edition giclée on canvas, hand embellished
195 numbered and hand signed by the artist
20 x 12
COLRO2
$650.00
James Coleman - Shorefront Hula
limited edition giclée on canvas
1500 numbered and signed by the artist
12.5 x 16.5
COLSH1
$150.00
James Coleman - Sorcerer Symphony
limited edition giclée on canvas
195 numbered and hand signed by the artist
22 x 28
COLSO1
$850.00
James Coleman - Springtime in the Meadows
limited edition giclée on canvas
395 numbered and hand signed by the artist
20 x 40
COLSP1
$995.00
James Coleman - Treasure's Untold
limited edition giclée on canvas hand-embellished
40 numbered and hand signed by the artist
30 x 15
COLTR2
$1,950.00
JAMES COLEMAN (1949- ) was born in Hollywood. As a youth, his creative abilities seemed to dominate his world. Though he lacked the athletic skills of his young friends, he more than made up for it with imagination and ingenuity.
As a young man, his interest in filmmaking and fine art marked the beginning of a long, successful career in animated films. Coleman began his career with Walt Disney Studios in the summer of 1969, when his mother, who had been working as a secretary with Disney, got him a job in the studio's mailroom. His big break came when he entered one of his paintings in the studio art show. Several of the Disney artists saw his potential and encouraged him to go into animation background painting. Walt Disney Productions welcomed his creative energies.
His first film, Winnie, the Pooh and Tigger, Too, sparked his interest not only in painting backgrounds but also in background design and color styling. After completing The Rescuers, his first feature film, he was promoted to Background Department Supervisor, a position he held for nearly seventeen years. During that time, he personally hired and trained a select group of artists whom he would work with for most of his career at Disney. While at Disney, James styled and worked on twelve films and over thirty short subjects including Mickey's Christmas Carol,The Fox and the Hound, The Great Mouse Detective, The Black Cauldron, The Little Mermaid, and Academy Award-Winning Beauty and the Beast. In 1991, after twenty-two years with Disney, James left to pursue a new career. He was ready to devote all of his time and talent to the love of his life - fine art. Today he continues to illuminate the art world with vibrant colors, gentle moods, powerful design and exquisite detail.