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MIAN SITU - LIMITED EDITIONS |
NEW |
MIAN SITU
Miao Beauty |
 |
canvas |
150 signed and numbered |
11" x 8" |
$250 |
NEW |
MIAN SITU
Preparing for the Festival, San Francisco, 1904
|

|
giclee canvas |
50 signed & numbered |
38" x 30" |
$1400 |
On the fifteenth day of the first month of the lunar year, the center of every town, city and village in China glows with the light from hundreds of paper lanterns. The Shang Yuan festival (or lantern festival) draws families from their homes into the packed streets to bask in the auspicious red light of the new year. Riddles are written and solved and yuan xiao or sticky rice dumplings are eaten to celebrate harmony and happiness in every family.
The family in Mian Situ’s Preparing for the Festival, San Francisco, 1904 is a long way from China, but love and a pioneering spirit keep these important traditions alive in the land they now call home. Situ specifically composed this painting for and donated it to the silent auction at the 20th Anniversary Autry Gala this past September, where the winning bid reached $150,000. |
MIAN SITU
Chinatown Market, San Francisco, 1878
|

|
giclee canvas |
50 signed & numbered |
27" x 36" |
$1375 |
"This is a typical Chinese market in old Chinatown, right here in America. In a market like this, one could find the ingredients for the same food they ate in China and prepare it in exactly the same way," says artist Mian Situ."The market looked very similar to those in my childhood hometown in Southern China, where I was often sent on errands, so this painting was inspired by both personal childhood memories and late-19th century photographs of San Francisco.
There's no better time than right now to begin collecting Mian Situ's Fine Art Limited Editions. Art of theWest magazine recently designated Situ one of the "8 True Masters" of today's Western art world.The original painting of Chinatown Market, San Francisco, 1878 sold for $179,200 at the 2007 Jackson Hole Art Auction, nearly $90,000 above the highest estimated price.This exquisite Fine Art Limited Edition, signed by Mian Situ, and in an edition of only 50, is sure to quickly disappear. |
MIAN SITU
The Entrepreneur
|

|
giclee canvas |
100 signed & numbered |
33" x 41" |
$1895 |
| Artist Mian Situ's inspiration for The Entrepreneur, a portrait-within-a-portrait, came from a real photograph dating from the 1890s. Like many recent arrivals to the United States, the man against the backdrop would have wanted something from America to send to his family overseas and a photograph such as this was common.
Situ speculates that the flower in the Chinese man's hand was most likely the photographer's idea, as a Chinese man would not have thought to hold a flower in something as important as a photograph. However, in an attempt to learn and fit in with the customs of their new country, such a man (and his family) would be inclined to do what was asked of them or what they were told "should be done in America." This man and his family have arrived in traditional Chinese dress for their visit to the "modern" American photo studio. The joining of old and new worlds, of east and west, is a central theme in Situ's work. |
MIAN SITU
Everybody Loves a Cowboy
|

|
giclee canvas |
100 signed & numbered |
28" x 32" |
$1250 |
MIAN SITU
The Golden Mountain - Arriving in San Francisco, 1865
|

|
giclee canvas |
25 signed & numbered |
60" x 50" |
email price request |
MIAN SITU
Miao Beauty |
 |
canvas |
150 signed and numbered |
11" x 8" |
$250 |
MIAN SITU
The Overseer, San Francisco, 1905
|

|
Masterwork giclee canvas |
50 signed & numbered |
34" x 43 " |
$1750 |
MIAN SITU
The Powder Monkeys, Cape Horn, 1865
|

|
giclee canvas |
25 signed & numbered |
41" x 47" |
$2750 |
MIAN SITU
Preparing for the Festival, San Francisco, 1904
|

|
giclee canvas |
50 signed & numbered |
38" x 30" |
$1400 |
|
On the fifteenth day of the first month of the lunar year, the center of every town, city and village in China glows with the light from hundreds of paper lanterns. The Shang Yuan festival (or lantern festival) draws families from their homes into the packed streets to bask in the auspicious red light of the new year. Riddles are written and solved and yuan xiao or sticky rice dumplings are eaten to celebrate harmony and happiness in every family.
The family in Mian Situ’s Preparing for the Festival, San Francisco, 1904 is a long way from China, but love and a pioneering spirit keep these important traditions alive in the land they now call home. Situ specifically composed this painting for and donated it to the silent auction at the 20th Anniversary Autry Gala this past September, where the winning bid reached $150,000. |
MIAN SITU
San Francisco, April 18, 1906
|

|
Museum Edition giclee canvas |
35 signed & numbered |
36" x 60" |
$3500 |
Rarely does the individual collector have the opportunity to own a museum-caliber work of art. With San Francisco, April 18, 1906 , Mian Situ's chronicling of the Chinese immigrant's place in the expansion of the American West has hit a highwater
mark.
At five o'clock on that April morning, the city of San Francisco had just begun to stir from its slumber. A mere fifteen minutes later, the entire city was in turmoil as it shook with the force of a massive earthquake. For days, what was left of the city would burn.
On Sacramento Street near Chinatown, the great disaster has driven citizens of all ethnicities and classes from their homes and, as one, they head for safer ground, unsure what the next few hours will bring. This is, perhaps, the defining element of the image, the balance between the human and emotional character of the composition with the magnitude of the historic
event.
Collectors with their finger on the pulse of the art world already know that Mian Situ's star is rising fast. At the Autry National Center's 2008 Masters of the American West Fine Art Exhibition and Sale the original painting, which had a reserve price of $150,000, sold for $576,100. Situ was also the first recipient of the Gene Autry Memorial Award, given in recognition of the most outstanding presentation of three or more works. |
MIAN SITU
Sutter's Gold, 1850
|

|
giclee canvas |
75 signed & numbered |
23" x 28" |
$950 |
MIAN SITU
Ten Miles in One Day,
Victory Camp, Utah, April 28, 1869
|

|
giclee canvas |
75 signed and numbered |
18" x 37" |
email price request |
| giclee canvas |
30 signed & numbered |
30" x 63" |
email price request |
In 1862 the Pacific Railway Act provided funding for a transcontinental railway that would connect burgeoning California with the rest of the country. The Union Pacific Railroad was given the contract to build west from Omaha, Nebraska, and the Central Pacific Railroad would build east from Sacramento, California. In 1869 the two railroads met at Promontory Summit in Utah Territory.
Victory Camp (later named Rozel Point), located west of Promontory, was so called because Charles Crocker of the Central Pacific won a $10,000 wager from the Union Pacific that his crews could lay more miles of track than the Union Pacific. The Central Pacific hired an additional crew of Chinese laborers. Working alongside the Irish track layers, they built over ten miles of track in twelve hours, a feat that has never been equaled. Their efforts completed the Central Pacific segment of the Transcontinental Railroad. On May 10, 1869, the two tracks met at Promontory Summit in the famous Golden Spike ceremony. Local officials turned out to drive the ceremonial Golden Spike with the ceremonial silver sledgehammer, which made official the joining of the East Coast and the West. After the ceremony had ended, the Golden Spike and laurel railroad tie were removed, and Chinese laborers quietly finished the track with a wooden tie and steel spike.
Mian Situ, recipient of the numerous awards from the Autry Museum of the American West, celebrates this milestone in his new painting. At the Museum's 2007 Masters of the American West Fine Art Exhibition and Sale, Ten Miles in One Day sold for $251, 200 at silent-bid auction.
|
MIAN SITU
Toy Maker of Ross Alley, San Francisco, 1906
|

|
giclee canvas |
75 signed & numbered |
43" x 37" |
$1400 |
MIAN SITU
Word of God |
 |
canvas |
75 signed and numbered |
30" x 45" |
$1800 |
|
By the late nineteenth and early twentieth centuries, Christian missionaries had been in China for several hundred years, which meant that many Chinese immigrants had encountered Christianity before they ever set foot on American soil.
The women and children (known as “easy believers” by missionaries) at the center of Word of God devote their attention to the preacher. The men stand near the edges of the crowd, distrustful and unwelcoming of the stranger in their midst and perhaps envisioning a future surrounded by such strangers.
The exquisite paintings of award-winning artist Mian Situ provide an evocative window into a point in history when the collision of East and West impacted the future, not only for the men, women, and children involved, but for entire cultures. Individual original paintings by Situ have recently sold for over $250,000, but with a Greenwich Workshop canvas you can afford to bring home the work of this modern-day master. Word of God recently received a Benny award, the highest honor in the 2007 Premier Print Awards. |
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Phone 1-800-621-1141 or 1-440-255-1200
Last modified:
May 6, 2008
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